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theguardian.com

@theguardian Wed, 05 Feb 2025 06:00:30

Being a mother in the west would be a dream, I was told. But compared to Uganda, it was a nightmare | Patience Akumu

Nothing prepared me for the reality of mothering without my extended family to help. How have western women managed like this for so long?I hear the baby crying in my sleep. My mother hands him to me. I sit up to breastfeed without opening my eyes then I hand him back. I know that when I am ready to get out of bed, there will be fruits and katogo, a meal of plantain mixed with all the fatty meat cuts my mother could lay her hands on, waiting for me. Or I could choose to have porridge. It is sacrilege to have a nakawere (new mother) in the house and not have a flask of hot porridge available for her all day. Nakawere … the syllables are pronounced slowly, and the word must roll off your tongue with awe at the woman who just went through the remarkable ordeal of bringing life.Replaying my new mum experience became my favourite pastime when I moved from Uganda to Switzerland in May last year. I moved with my husband and two children, aged six and 12, because I found my dream job in health advocacy. I was not ready for the parenting nightmare that came with it. While I had lived in Europe before, including in the UK in my 20s, I had never had to live outside Uganda with my family. Nothing prepared me for the reality of mothering without the extended family to help take care of you, and the nonchalance with which the western world treats mothers. Continue reading...

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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